Some pieces of furniture, like some people, undoubtedly have the It factor. This can be defined as a perfect synthesis of the right components in a unique combination of layers and textures according to the designer’s aesthetic judgement. So it is with the furniture of Sue Hall of shalldesign. The combination of vintage chairs, with their classic lines reflecting comfort and durability, with a whimsical and witty surface treatment is what makes this furniture literally unique and thoroughly intriguing. Sue has devised a clever balance between the old and the new by combining beautiful old armchairs that have aged with time and memories, with new fabrics and leathers that explore unexpected design and create a whole new set of stories.
The Provenance range begins with a vintage armchair which has already proven itself in style and comfort. Recovered with leather in the high wear parts, the outside and back panels are covered with robust canvas which Sue has embellished with handpainted text that begins the chair’s new story. The name of the house, the address, an important date, a family or company name, even the name of a pet might add up to the armchair’s fresh new provenance.
The Slightly Mad range uses vintage furniture but requires an even greater appreciation of the ridiculous on the part of the client. Sue has collected appalling but charming Australian souvenir linen teatowels and has covered a variety of armchairs in this most hardwearing and colourful fabric. Sue’s eye is her own and her chairs are fabulous but not for the conservative. There are coordinating standard lamps, ottomans and cushions as well. Her idol is Suzie Stanford.
The Pretty Gorgeous range combines apparently random fabrics in an eclectic and exciting treatment of otherwise conservatively designed old chairs. You might see a collection of black and cream fabrics, including a Florence Broadhurst print, bold stripes, oriental script and a vintage John Caldor fabric from the 60’s of naked figures all on one chair; you might find a black leather chair with authentic black and white bus destination roll fabric on the outside panels; you might find hot pink and red Marimekko fabric combined with bold stripes, faux ostrich skin and velvet.
Every piece has a story and is not for the faint-hearted. There is a feast of layers and elements of surprise which intrigue and delight. Conservatism loses its grip in Sue Hall’s whimsical, witty and irreverent treatment of classic furniture.
